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            <url>
                        <loc>https://yelamanmuqtarkhan.com/about</loc>
            
            
            <lastmod>2026-03-31T19:06:32+00:00</lastmod>
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        </url>
            <url>
                        <loc>https://yelamanmuqtarkhan.com/gallery</loc>
            
            
            <lastmod>2025-09-09T22:17:01+00:00</lastmod>
            <changefreq>always</changefreq>
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2532280156519167424840014960265/4E87021C-2341-478D-8C4E-AA4C13F9364D-7008-000008A1114ED4DE_Original.JPG</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Untitled, 30x40, 2020, acrylics and oil pastel on canvas&lt;/li&gt;
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&lt;li&gt;Spider-man 2, 70x90 cm, 2021, acrylics and oil pastel on linen&lt;/li&gt;
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Yuki, 2021, 50x76 cm, acrylics on wooden door&lt;/li&gt;
&lt;/ol&gt;
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Bavaria commercial, 70x90 cm, 2021, acrylics and oil pastel on canva&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/B2535397338670031622005768787593/IMG_7989_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;&lt;li&gt;See you in Paris (stoned) 50x60 cm, 2022, acrylics on linen&lt;/li&gt;&lt;/ol&gt;</image:caption>
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&lt;li&gt;Hero in Red, 70x90 cm, 2021, acrylics on linen&lt;/li&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/E2535397338079735811647063135881/FullSizeRender_Original.jpg</image:loc>
                                            <image:caption>Comissioned Work, &lt;span style=&quot;letter-spacing: 0em; text-align: var(--slideshow-caption-align);&quot;&gt;120x170 cm, 2022, acrylics and oil pastel on linen&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Free Asya, 30x40, 2020, acrylics and color pencils on canvas&lt;/li&gt;
&lt;/ol&gt;
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Untitled, 30x40, 2022, acrylics and oil pastel on canvas&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/C2535397337784587906467710310025/DSCA8499.jpg</image:loc>
                                            <image:caption>My &lt;span style=&quot;letter-spacing: 0em; text-align: var(--slideshow-caption-align);&quot;&gt;Orlando (chubby yoshi), 60x70 cm, 2024, acrylics on linen&lt;/span&gt;</image:caption>
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;SoyFish 30x40 cm, 2022, acrylics on canvas&lt;/li&gt;
&lt;/ol&gt;
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Untitled, 30x40 cm, 2021, acrylics on canvas&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2535397338540904413489801926281/IMG_6514_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Spider-man 30x40 cm, 2022, acrylic on linen&lt;/li&gt;
&lt;/ol&gt;
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                                            <image:caption>&lt;ol&gt;&lt;li&gt;Untitled, 2020, 80x 150 acrylics and oil pastel on wooden door&lt;/li&gt;&lt;/ol&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/K2535397338559351157563511477897/IMG_6678_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Self portrait, 45x55cm, 2019, acrylics on canvas&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/X2535397337766141162394000758409/DSCA8496-2.jpg</image:loc>
                                            <image:caption>Daughter &lt;span style=&quot;letter-spacing: 0em; text-align: var(--slideshow-caption-align);&quot;&gt;of a Bitch (Hija de Perra), 110x120 cm, 2024, acrylics on linen&lt;/span&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2535397338577797901637221029513/IMG_7235_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Untitled 50x60cm, 2020, acrylics, pencil on cardboard&lt;/li&gt;
&lt;/ol&gt;
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&lt;li&gt;Family portrait (Chosen Family), 70x90 cm, 2022, acrylic on linen&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/C2535397338780712086448026097289/IMG_8440_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Untitled, 2020, 80x 150 acrylics and oil pastel on wooden door&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/N2535397338504010925342382823049/IMG_5005_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Self portrait, 2021, 50x60cm, 2021, acrylics on linen&lt;/li&gt;
&lt;/ol&gt;
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Obama ( red sonic ) 30x40 cm, 2024, acrylics&lt;span style=&quot;letter-spacing: 0em; text-align: var(--slideshow-caption-align);&quot;&gt; on linen&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/Z2535397338411777204973835064969/IMG_3270_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Bath Time, 40x70cm, 2020, acrylics on canvas&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/T2535397338374883716826415961737/IMG_1152_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Fox, 70x130 cm, 2021, acrylics on canvas&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/B2535397338061289067573353584265/FullSizeRender_Original-2.jpg</image:loc>
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;I&amp;#x27;m watching the harmony of color, 130x115cm, ethnicity, and everyday life fade away, 2020, acrylics, oil pastel, color pencils on canvas&lt;/li&gt;
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Spider-man 3, 70x90 cm, 2022, acrylics on linen&lt;/li&gt;
&lt;/ol&gt;
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Untitled, 30x60, 2020, acrylics on cardboard &lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/D2535397338762265342374316545673/IMG_8431_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;&lt;li&gt;Untitled, 2020, 80x 150 acrylics and oil pastel on wooden door&lt;/li&gt;&lt;/ol&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2535397338743818598300606994057/IMG_8430_Original.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;&lt;li&gt;Untitled, 2020, 80x 150 acrylics and oil pastel on wooden door&lt;/li&gt;&lt;/ol&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2535596579425567820774564632201/DSCA8504.jpg</image:loc>
                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Chandelier 1.4, 2021, 40x50cm, acrylics on canvas&lt;/li&gt;
&lt;/ol&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/P2535596746737536569320197789321/IMG_2031.PNG</image:loc>
                                            <image:caption>&lt;ol&gt;&lt;li&gt;This is going to hurt, 50x90 cm, 2021, acrylics and oil pastel on wood panel&lt;/li&gt;&lt;/ol&gt;</image:caption>
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                                            <image:caption>&lt;ol&gt;
&lt;li&gt;Untitled, 50x60cm, 2022, acrylics on canvas&lt;/li&gt;
&lt;/ol&gt;
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                                            <image:caption>кинуть на джамбас, &lt;span style=&quot;letter-spacing: 0em; text-align: var(--slideshow-caption-align);&quot;&gt;70x90 cm, 2022, acrylics, pencil and paper on linen&lt;/span&gt;</image:caption>
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                                            <image:caption>кинуть на джамбас, &lt;span style=&quot;letter-spacing: 0em; text-align: var(--slideshow-caption-align);&quot;&gt;70x90 cm, 2022, acrylics, pencil and paper on linen&lt;/span&gt;
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2535608473886146548693446629001/IMG_4277_Original.png</image:loc>
                                            <image:caption>130х80cm, acrylic on linen&lt;br /&gt;
&lt;br /&gt;
Yelaman Muqtarhan bases her work &amp;#x22;A chance to stay alive&amp;#x22; on archival photos from the East Turkistan region, filling the background and faces with a light-green color of facial recognition system frames, which are used for monitoring and classifying people, as well as for conducting repressions, tracking and persecution of Uyghur and Qazaq people in the region.&lt;br /&gt;


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            <url>
                        <loc>https://yelamanmuqtarkhan.com/contact</loc>
            
            
            <lastmod>2025-09-09T22:17:01+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
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        </url>
            <url>
                        <loc>https://yelamanmuqtarkhan.com/projects</loc>
            
            
            <lastmod>2025-09-09T22:17:00+00:00</lastmod>
            <changefreq>always</changefreq>
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                                            <image:caption>King, 2024, 130x170 cm, acrylics on linen&lt;br /&gt;
&lt;br /&gt;

 In the world of Tekken, there is a character named King who resonates deeply with members of the transgender community. This character was initially inspired by traditional wrestling archetypes, but has since evolved into a representation of trans masculinity. The wrestling arena in Tekken becomes a space for expressing queer preferences and homoerotic expressions, where conventional boundaries are dissolved and authenticity prevails.   Wrestling combines physical interaction with theatrical performance, creating a safe space for participants to express their true selves without fear of judgment. Inside the virtual ring, individuals can let go and embrace their true feelings, allowing them to be themselves without the need to pretend.</image:caption>
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                                            <image:caption>Teletubby (left), Spider-man (right)</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2532315624313805619153131214473/DSCF5593.jpg</image:loc>
                                            <image:caption>King Kong, 2024, 120x120x170 cm, wood, paper, 3d&lt;br /&gt;
&lt;br /&gt;King Kong emerges as a potent symbol of the journey back to a pre-patriarchal epistemology. No longer merely a creature to be subdued or dominated, King Kong represents a paradigm shift towards coexistence and respect for context and individuality. Through the lens of lore, we witness the futile attempts of humans, particularly men, to harness and exploit King Kong, rather than coexist with him in his own context. Their efforts to showcase him as a spectacle in a circus ultimately fail as King Kong breaks free, unraveling the societal structures and visual pillars upon which this society stands. Visually deconstructed, King Kong becomes the embodiment of our return to a world before the binary patriarchal gender system. Genderless in essence, King Kong defies categorization. While his abduction of a woman may seem monstrous from a human perspective, it symbolizes a deep, platonic bond formed between them, as King Kong strives to protect himself and his companion from the pursuing men. In this conceptual narrative, King Kong transcends gender norms, serving as a catalyst for introspection and reevaluation of our societal constructs. Virginia Depant in the &amp;#x27;King Kong Theory&amp;#x27; describes the island-homeland of King Kong like this: “The island is inhabited by beings of indeterminate gender: monstrous caterpillars with sticky, probing fingers, but wet and pink like labial lips, larvae resembling phallic heads that unfold and become toothy vaginas, biting off the heads of the crew&amp;#x27;s members... Others adhere to a more defined gender iconography, yet still belong to the realm of polymorphic sexuality: hairy spiders and gray, identical brontosaurus, reminiscent of a horde of clumsy spermatozoa...”. He challenges us to embrace a worldview that respects difference, rejects domination, and fosters symbiotic relationships, ultimately leading us towards a more queer existence. Within this discourse, the interrogation of King Kong being perceived as a monster intersects with Paul Preciado&amp;#x27;s exploration in &amp;#x22;Can a Monster Speak?&amp;#x22;, inviting us to contemplate the complexities of gender, power, and agency within cultural narratives.</image:caption>
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Birdo, 130x210 cm, 2024, acrylics on linen&lt;br /&gt;
&lt;br /&gt;
In this piece, the journey of self-discovery unfolds as a narrative of transformation and acceptance. It challenges the conventional narratives of identity by highlighting the fluidity and multiplicity inherent in the human experience. Through its exploration of the representation of trans individuals in pop culture, this artwork invites us to question the limitations imposed by societal norms and embrace the richness of individual expression. The notion of being &amp;#x22;made from the same material&amp;#x22; as the &amp;#x22;monster&amp;#x22; speaks to a deeper connection that transcends physicality or societal labels. It is a recognition of the shared humanity that underlies all identities, a reminder that we are bound together by our experiences, emotions, and desires. This artwork invites viewers to contemplate the fluidity of identity, the complexities of representation, and the unseen connections that transcend societal norms. It challenges perceptions of self and others, inviting introspection into the essence of humanity and the constructs that shape our understanding of it. </image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/B2532315624276912131005712111241/DSCF5402.JPG</image:loc>
                                            <image:caption>King Kong, 2024, 120x120x170 cm, wood, paper, 3d&lt;br /&gt;
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King Kong emerges as a potent symbol of the journey back to a pre-patriarchal epistemology. No longer merely a creature to be subdued or dominated, King Kong represents a paradigm shift towards coexistence and respect for context and individuality. Through the lens of lore, we witness the futile attempts of humans, particularly men, to harness and exploit King Kong, rather than coexist with him in his own context. Their efforts to showcase him as a spectacle in a circus ultimately fail as King Kong breaks free, unraveling the societal structures and visual pillars upon which this society stands. Visually deconstructed, King Kong becomes the embodiment of our return to a world before the binary patriarchal gender system. Genderless in essence, King Kong defies categorization. While his abduction of a woman may seem monstrous from a human perspective, it symbolizes a deep, platonic bond formed between them, as King Kong strives to protect himself and his companion from the pursuing men. In this conceptual narrative, King Kong transcends gender norms, serving as a catalyst for introspection and reevaluation of our societal constructs. Virginia Depant in the &amp;#x27;King Kong Theory&amp;#x27; describes the island-homeland of King Kong like this: “The island is inhabited by beings of indeterminate gender: monstrous caterpillars with sticky, probing fingers, but wet and pink like labial lips, larvae resembling phallic heads that unfold and become toothy vaginas, biting off the heads of the crew&amp;#x27;s members... Others adhere to a more defined gender iconography, yet still belong to the realm of polymorphic sexuality: hairy spiders and gray, identical brontosaurus, reminiscent of a horde of clumsy spermatozoa...”. He challenges us to embrace a worldview that respects difference, rejects domination, and fosters symbiotic relationships, ultimately leading us towards a more queer existence. Within this discourse, the interrogation of King Kong being perceived as a monster intersects with Paul Preciado&amp;#x27;s exploration in &amp;#x22;Can a Monster Speak?&amp;#x22;, inviting us to contemplate the complexities of gender, power, and agency within cultural narratives.&lt;br /&gt;
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                                            <image:caption>Big, diptych, 2023, 70x90 cm, acrylics on linen&lt;br /&gt;
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You can be a beautiful little princess, but the community might see you only as a bear…&lt;br /&gt;
Within the vibrant tapestry of the queer community lies a paradoxical challenge: the pressure to conform to visual standards that often exclude those who don&amp;#x27;t fit conventional molds. For many queer individuals, liberation from societal norms can become overshadowed by the expectation to embody a certain aesthetic.&lt;br /&gt;
This artworks talks about this perpetuation of harmful beauty standards that alienate those whose appearances defy categorization. This internalized pressure to conform leads to feelings of inadequacy and isolation, contradicting the very essence of queer liberation.&lt;br /&gt;
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                                            <image:caption>King (left), Sonic (right)</image:caption>
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                                            <image:caption>Birdo (left),  Yoshi (quadriptych, right)

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                                            <image:caption>Yoshi, quadriptych, 30x40 cm, 70x90cm, 32x50 cm, 2023, acrylics, spray paint on canvas, cotton, rhinestones&lt;br /&gt;
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From the moment of our birth, our perception of the world is shaped by heteronormative images of humanity. Consequently, representations of queerness often manifest through non-anthropomorphic characters.This artwork symbolizes more than just a visual change; it embodies a profound journey of self-realization.First you’re just an outline, with lack of specific traits and self-determinations. Then you’re inserted into an environment, where you can express yourself in the context of your surroundings, with the understanding of your place in the world. You grow bigger and so grows your self-understanding. Inner confidence and self-awareness begin to emerge. Ultimately, adorned in symbols of individuality and assurance, you stand proudly in your authenticity. The phrase &amp;#x22;Eat ass&amp;#x22; serves as a reflection of one&amp;#x27;s innate nature or personal preference, embodying the essence of their being. Just like Yoshi your transformation becomes not only visual, but also internal - Yoshi begins to express his essence and confidence in it.&lt;br /&gt;
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                                            <image:caption>Spider-Man, 2024, 160 x 135 cm, acrylics and paper on linen&lt;br /&gt;
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This artwork draws a parallel between the lives of queer individuals and superheroes, using the duality of Spider-Man as a metaphor. The work explores the constant struggle between a public persona and a hidden identity, which can lead to internal conflicts and the sacrifice of personal growth and genuine relationships.</image:caption>
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                                            <image:caption>Yoshi, quadriptych, 30x40 cm, 70x90cm, 32x50 cm, 2023, acrylics, spray paint on canvas, cotton, rhinestones&lt;br /&gt;
&lt;br /&gt;From the moment of our birth, our perception of the world is shaped by heteronormative images of humanity. Consequently, representations of queerness often manifest through non-anthropomorphic characters.This artwork symbolizes more than just a visual change; it embodies a profound journey of self-realization.First you’re just an outline, with lack of specific traits and self-determinations. Then you’re inserted into an environment, where you can express yourself in the context of your surroundings, with the understanding of your place in the world. You grow bigger and so grows your self-understanding. Inner confidence and self-awareness begin to emerge. Ultimately, adorned in symbols of individuality and assurance, you stand proudly in your authenticity. The phrase &amp;#x22;Eat ass&amp;#x22; serves as a reflection of one&amp;#x27;s innate nature or personal preference, embodying the essence of their being. Just like Yoshi your transformation becomes not only visual, but also internal - Yoshi begins to express his essence and confidence in it.&lt;br /&gt;
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                                            <image:caption>Big, diptych, 2023, 70x90 cm, acrylics on linen&lt;br /&gt;
&lt;br /&gt;You can be a beautiful little princess, but the community might see you only as a bear…&lt;br /&gt;Within the vibrant tapestry of the queer community lies a paradoxical challenge: the pressure to conform to visual standards that often exclude those who don&amp;#x27;t fit conventional molds. For many queer individuals, liberation from societal norms can become overshadowed by the expectation to embody a certain aesthetic.&lt;br /&gt;This artworks talks about this perpetuation of harmful beauty standards that alienate those whose appearances defy categorization. This internalized pressure to conform leads to feelings of inadequacy and isolation, contradicting the very essence of queer liberation.</image:caption>
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                                            <image:caption>Spider-Man, 2024, 160 x 135 cm, acrylics and paper on linen&lt;br /&gt;
&lt;br /&gt;This artwork draws a parallel between the lives of queer individuals and superheroes, using the duality of Spider-Man as a metaphor. The work explores the constant struggle between a public persona and a hidden identity, which can lead to internal conflicts and the sacrifice of personal growth and genuine relationships.</image:caption>
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                                            <image:caption>Sonic, 170x145 cm, 2024, acrylics, spray paint on linen&lt;br /&gt;
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In the vast expanse of the digital cosmos, where pixels dance and avatars transcend, amidst the labyrinth corridors of cyberspace, Sonic emerges not only as an icon of speed and agility, but as a harbinger of queer revelation. The artist presents Sonic, rendered in vibrant hues against a dark digitally transparent background, and serves as a symbol cherished by the trans communities worldwide. Within the realm of pop culture, Sonic stands as a sentinel of awareness, embodying fluidity and courage. The transparency of Sonic against the void speaks to the vulnerability inherent in the process of self-realization. Like light passing through a prism, Sonic&amp;#x27;s image refracts into a spectrum of possibilities. In this artwork, Sonic&amp;#x27;s presence transcends the boundaries of the digital realm, he is not just a pixelated hero; he is a catalyst for change and hope, an icon of queer awakening.</image:caption>
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                                            <image:caption>Teletubby, 2024, 150x180 cm, acrylics on linen&lt;br /&gt;
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Where the tangible meets the intangible, where the fluidity of existence intertwines with the solidity of perception, there exists a tableau - an intersection of symbolism and substance that invites us to contemplate the essence of control.  Teletubby, an iconic figure from the realms of innocence and imagination, stands poised before a panel adorned with liquids, each a evidence to the multifaceted nature of our corporeal selves. This artwork is a reflection on the fluidity of our existence and the autonomy inherent within it; on the journey of reclaiming authority over one&amp;#x27;s own vessel. Before the Teletubby stands a panel, an enigmatic surface from which streams of liquids cascade. These diverse in form and hue liquids symbolize the multiple aspects of our physicality - blood, sweat, tears, and the countless other essences that define our corporeal selves. Yet, amidst this profusion, there is a sense of harmony - a celebration of the complex dance between autonomy and surrender, control and release. For what is control but the mastery of one&amp;#x27;s own narrative? It is the art of navigating the currents of existence with grace and intentionality, of harnessing the fluidity of our being to shape our own destiny. And here we are invited to contemplate the nature of our own agency - to recognize that within us lies the power to shape our reality, to mold the very substance of our existence according to the dictates of our will. But let us not mistake control for rigidity, for true mastery lies not in domination but in alignment - an alignment with the natural rhythms of the universe, a surrender to the ebb and flow of life&amp;#x27;s ever-unfolding tapestry. In this sense, the Teletubby becomes not only a symbol of individual agency but a harbinger of collective consciousness - a reminder that we are all interconnected, bound together by the threads of our shared humanity.&lt;br /&gt;
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                                            <image:caption>Big, diptych, 2023, 70x90 cm, acrylics on linen&lt;br /&gt;
&lt;br /&gt;You can be a beautiful little princess, but the community might see you only as a bear…&lt;br /&gt;Within the vibrant tapestry of the queer community lies a paradoxical challenge: the pressure to conform to visual standards that often exclude those who don&amp;#x27;t fit conventional molds. For many queer individuals, liberation from societal norms can become overshadowed by the expectation to embody a certain aesthetic.&lt;br /&gt;This artworks talks about this perpetuation of harmful beauty standards that alienate those whose appearances defy categorization. This internalized pressure to conform leads to feelings of inadequacy and isolation, contradicting the very essence of queer liberation.</image:caption>
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                                            <image:caption>Limited series of the catalogue that was made specially for the exhibition &amp;#x22;It&amp;#x27;s a full-time job being non-binary&amp;#x22;. This catalogue presents a retrospective of all art pieces shown on the exhibition, followed by a deeper explication to each work by the artist herself. The catalogue allows to fully immerse into the background of the exhibition, both theoretical and personal, as well as see some exclusive sketches provided by the artist.</image:caption>
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